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1.
embellie 04:02
2.
periferia 04:02
3.
4.
preparations 08:17
5.
barbaryton 05:19
6.
egnatia road 06:20
7.
circuit 05:21
8.

about

PERIФERIA

Periferiais an ancient greek word which dérives from the verb perifero,i.e, to bear, bring about; Periferoalso means to let someone know or makesomething known to people, therefore to spread and communicate.

Periferiaas a specific area is the perimeter of any closed system. But the1ine of letter Фcuts like a sword the circumference of the solid circle.

Periferia symbolizes the fact that you are always far from the center, thatyou follow paths which will never bring you towards the center — youremain marginal by definition.

The verb in passive voice, Periferomai, signifies the act of travelling here and there like a wandering Ulysses and at the same time swinging roundyourself.

Periferiahas an erotic side and refers of course to woman's buttocks.

Finally the noun periforais used in a ritualistic aspect and pictures aprocession while a litany is sung.

sakis papadimitriou

credits

released August 28, 2022

daunik lazro : sax alto & baryton
carlos zingaro : violon acoustique & electro acoustique
sakis papadimitriou : piano
jean bolcato : contrebasse & voix


musique de lazro - zingaro - papadimitriou - bolcato
enregistrée par françois dietz au CCAM de vandoeuvres-lès-nancy
les 10, 11 & 12 avril 1993
dessin de cass—photo d’horace
texte de sakis papadimitriou
maquette de jean-marc foussat
co-production basta sarl & vandoeuvres-lès-nancy
direction artistique : didier petit
premières éditions 1994 & 1996 chez in situ (IS 164)
ré-édition produite par daunik lazro chez les Disques Fou Records :
33 (0) 6 64 73 23 57 — www.fou.records.com

license

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tags

about

FOU records Le Thoronet, France

Jean-Marc Foussat (Synthi AKS ou VCS3, voix, piano, jouets)

Né Jean-Marc Foussat en 1955 à Oran, c’est tout d'abord avec la guitare que je crée plusieurs groupes très expérimentaux pour finalement lui préférer le synthétiseur. En 83, sort"Abattage".
Dix ans plus tard, je reprends le chemin des concerts avec mon synthétiseur en compagnie de M. Sato et de J-F. Pauvros, et c'est Marteau Rouge.
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